Awards
| Award | Project | Standing | Category | Year | Company | Notes |
|---|---|---|---|---|---|---|
| BAFTA | Andor S2 | Won | Special, Visual, and Graphic Effects | 2026 | ILM | |
| AMPAS Sci-Technical Awards | ILM Lama | Won | Technical Achievement Awards | 2026 | ILM | |
| HPA | Nerfstudio | Won | Innovation in VFX, Virtual Production & Animation | 2026 | ILM | |
| AMPAS|academy|oscar | Jurassic World: Rebirth | Nominated | Visual Effects | 2026 | ILM | |
| AMPAS|academy|oscar | The Lost Bus | Nominated | Visual Effects | 2026 | ILM | |
| Children’s & Family Emmys | Time Bandits | Nominated | Outstanding Visual Effects for a Live Action Program | 2026 | ILM | |
| Children’s & Family Emmys | Skeleton Crew | Won | Outstanding Visual Effects for a Live Action Program | 2026 | ILM | |
| Children’s & Family Emmys | Ultraman: Rising | Won | Outstanding Individual Achievement in Animation – Character Animation | 2026 | ILM | |
| VES|visual effects society | Superman; Fights and Metropolis City Destruction | Nominated | Outstanding Compositing & Lighting in a Feature | 2026 | ILM | |
| VES|visual effects society | Avatar: Fire and Ash; Bridgehead Industrial City | Nominated | Outstanding Compositing & Lighting in a Feature | 2026 | ILM | |
| VES|visual effects society | The Lost Bus; Escape from Hell | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | Superman; Metropolis City | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | Wicked: For Good; Bison | Nominated | Outstanding Model in a Photoreal or Animated Project | 2026 | ILM | |
| VES|visual effects society | Tron: Ares | Nominated | Outstanding CG Cinematography | 2026 | ILM | |
| VES|visual effects society | Andor S2; Welcome to the Rebellion; The Senate District | Won | Outstanding Environment in an Episodic, Commercial, Game Cinematic, or Real-Time Project | 2026 | ILM | |
| VES|visual effects society | Avatar: Fire and Ash; Bridgehead Industrial City | Won | Outstanding Environment in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | The Lost Bus; The Wildfires of Roe Road | Nominated | Outstanding Environment in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | Tron: Ares; Dillinger’s Grid City | Nominated | Outstanding Environment in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | Lilo & Stitch | Nominated | Outstanding Character in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | Severance; S2; Hello, Ms. Cobel | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2026 | ILM | |
| VES|visual effects society | Andor S2; Who Are You? | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2026 | ILM | |
| VES|visual effects society | Sinners | Won | Outstanding Supporting Visual Effects in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | The Lost Bus | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2026 | ILM | |
| VES|visual effects society | Jurassic World: Rebirth | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2026 | ILM | |
| BAFTA | The Lost Bus | Nominated | Outstanding Special Visual Effects | 2026 | ILM | |
| BAFTA | Frankenstein | Nominated | Outstanding Special Visual Effects | 2026 | ILM | |
| Emmys | Severance; S2; Hello, Ms. Cobel | Nominated | Outstanding Special Visual Effects in a Single Episode | 2025 | ILM | |
| Emmys | The Lord of the Rings: Rings of Power; Season 2 | Nominated | Outstanding Special Visual Effects in a Season or a Movie | 2025 | ILM | |
| Emmys | Andor | Won | Outstanding Special Visual Effects in a Season or a Movie | 2025 | ILM | |
| Children’s & Family Emmys | Percy Jackson and the Olympians | Won | Outstanding Visual Effects for a Live Action Program | 2025 | ILM | |
| AMPAS|academy|oscar | Wicked | Nominated | Best Visual Effects | 2025 | ILM | |
| AMPAS|academy|oscar | Alien: Romulus | Nominated | Best Visual Effects | 2025 | ILM | |
| BAFTA | Wicked | Nominated | Special Visual Effects | 2025 | ILM | |
| BAFTA | Gladiator II | Nominated | Special Visual Effects | 2025 | ILM | |
| VES|visual effects society | Alien: Romulus; Renaissance Space Station | Won | Outstanding Model in a Photoreal or Animated Project | 2025 | ILM | |
| VES|visual effects society | Real-Time Rocket (D23) | Won | Outstanding Visual Effects in a Special Venue Project | 2025 | ILM | |
| VES|visual effects society | Star Wars: Skeleton Crew; Episode 6; Jaws | Nominated | Outstanding Compositing & Lighting in an Episode | 2025 | ILM | |
| VES|visual effects society | The Lord of the Rings: The Rings of Power; Season 2; Shadow and Flame; Balrog Fire and Collapsing Cliff | Nominated | Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project | 2025 | ILM | |
| VES|visual effects society | Star Wars: Skeleton Crew; Pilot; Spaceship Hillside Takeoff | Nominated | Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project | 2025 | ILM | |
| VES|visual effects society | Ultraman: Rising | Nominated | Outstanding Effects Simulations in an Animated Feature | 2025 | ILM | |
| VES|visual effects society | Venom: The Last Dance; Water, Fire & Symbiote Effects | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2025 | ILM | |
| VES|visual effects society | Twisters | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2025 | ILM | |
| VES|visual effects society | Gladiator II; The Colosseum | Nominated | Outstanding Model in a Photoreal or Animated Project | 2025 | ILM | |
| VES|visual effects society | Deadpool & Wolverine; Ant-Man Arena | Nominated | Outstanding Model in a Photoreal or Animated Project | 2025 | ILM | |
| VES|visual effects society | Transformers One; Iacon City | Nominated | Outstanding Environment in an Animated Feature | 2025 | ILM | |
| VES|visual effects society | Wicked; The Emerald City | Nominated | Outstanding Environment in a Photoreal Feature | 2025 | ILM | |
| VES|visual effects society | Gladiator II; Rome | Nominated | Outstanding Environment in a Photoreal Feature | 2025 | ILM | |
| VES|visual effects society | What If…? – An Immersive Story | Nominated | Outstanding Visual Effects in a Real-Time Project | 2025 | ILM | |
| VES|visual effects society | The Lord of the Rings: The Rings of Power – Season Two: Eldest | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2025 | ILM | |
| VES|visual effects society | Star Wars: Skeleton Crew; Episode 5 | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2025 | ILM | |
| VES|visual effects society | Ultraman: Rising | Nominated | Outstanding Visual Effects in an Animated Feature | 2025 | ILM | |
| VES|visual effects society | Transformers One | Nominated | Outstanding Visual Effects in an Animated Feature | 2025 | ILM | |
| VES|visual effects society | Blitz | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2025 | ILM | |
| VES|visual effects society | Twisters | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2025 | ILM | |
| Critics Choice Awards | Wicked | Nominated | Best Visual Effects | 2025 | ILM | |
| Critics Choice Awards | Gladiator II | Nominated | Best Visual Effects | 2025 | ILM | |
| Annies | Ultraman: Rising | Nominated | Best FX – Feature | 2024 | ILM | |
| HPA | Alien: Romulus | Nominated | Outstanding Visual Effects – Live Action Feature | 2024 | ILM | |
| HPA | The Creator | Nominated | Outstanding Visual Effects – Live Action Feature | 2024 | ILM | |
| HPA | Deadpool & Wolverine | Nominated | Outstanding Visual Effects – Live Action Feature | 2024 | ILM | |
| HPA | A Quiet Place: Day One | Nominated | Outstanding Visual Effects – Live Action Feature | 2024 | ILM | |
| HPA | Ultraman: Rising | Nominated | Outstanding Visual Effects – Animated Feature | 2024 | ILM | |
| HPA | Percy Jackson and the Olympians – Season One | Nominated | Outstanding Visual Effects – Live Action Episode or Series Season | 2024 | ILM | |
| HPA | Loki – Season Two | Nominated | Outstanding Visual Effects – Live Action Episode or Series Season | 2024 | ILM | |
| Emmys | What If…? – An Immersive Story | Won | Outstanding Innovation In Emerging Media Programming | 2024 | ILM | |
| Emmys | The Santa Clauses: Season Two | Won | Technology and Engineering Emmy Awards – Emmy for Excellence in Production Technology | 2024 | ILM | |
| AMPAS Sci-Technical Awards | Alembic | Won | Technical Achievement Awards | 2024 | ILM | |
| AMPAS Sci-Technical Awards | Open VDB | Won | Technical Achievement Awards | 2024 | ILM | |
| BAFTA | Mission: Impossible – Dead Reckoning Part One | Nominated | Best Visuals Effects | 2024 | ILM | |
| BAFTA | The Creator | Nominated | Best Visuals Effects | 2024 | ILM | |
| AMPAS|academy|oscar | Napoleon | Nominated | Best Visuals Effects | 2024 | ILM | |
| AMPAS|academy|oscar | Mission: Impossible – Dead Reckoning Part One | Nominated | Best Visuals Effects | 2024 | ILM | |
| AMPAS|academy|oscar | The Creator | Nominated | Best Visuals Effects | 2024 | ILM | |
| VES|visual effects society | The Mandalorian: Season Three | Won | Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project | 2024 | ILM | |
| VES|visual effects society | The Creator | Won | Outstanding Effects Simulations in a Photoreal Feature | 2024 | ILM | |
| VES|visual effects society | The Creator | Won | Outstanding Model in a Photoreal or Animated Project | 2024 | ILM | |
| VES|visual effects society | The Creator | Won | Outstanding Created Environment in a Photoreal Feature | 2024 | ILM | |
| VES|visual effects society | Postcards From Earth | Won | Outstanding Visual Effects in a Special Venue Project | 2024 | ILM | |
| VES|visual effects society | The Creator | Won | Outstanding Visual Effects in a Photoreal Feature | 2024 | ILM | |
| VES|visual effects society | Willow | Nominated | Outstanding Compositing & Lighting in an Episode | 2024 | ILM | |
| VES|visual effects society | The Mandalorian: Season Three | Nominated | Outstanding Compositing & Lighting in an Episode | 2024 | ILM | |
| VES|visual effects society | The Creator | Nominated | Outstanding Compositing & Lighting in a Feature | 2024 | ILM | |
| VES|visual effects society | Willow | Nominated | Outstanding Effects Simulations in an Episode, Commercial, Game Cinematic, or Real-Time Project | 2024 | ILM | |
| VES|visual effects society | Napoleon | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2024 | ILM | |
| VES|visual effects society | The Creator | Nominated | Outstanding Virtual Cinematography in a CG Project | 2024 | ILM | |
| VES|visual effects society | Loki: Season Two | Nominated | Outstanding Created Environment in an Episode, Commercial, Game Cinematic, or Real-Time Project | 2024 | ILM | |
| VES|visual effects society | The Mandalorian: Season Three | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2024 | ILM | |
| VES|visual effects society | Ahsoka | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2024 | ILM | |
| VES|visual effects society | Napoleon | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2024 | ILM | |
| VES|visual effects society | Killers of the Flower Moon | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2024 | ILM | |
| VES|visual effects society | Indiana Jones and the Dial of Destiny | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2024 | ILM | |
| VES|visual effects society | Dungeons & Dragons: Honor Among Thieves | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2024 | ILM | |
| Children’s & Family Emmys | Lost Ollie | Won | Outstanding Visual Effects for a Live Action Program | 2023 | ILM | |
| HPA | The Lord of the Rings: The Rings of Power | Nominated | Outstanding Visual Effects — Live Action Episode or Series Season | 2023 | ILM | |
| HPA | Andor: Season One | Nominated | Outstanding Visual Effects — Live Action Episode or Series Season | 2023 | ILM | |
| HPA | The Mandalorian: Season Three | Nominated | Outstanding Visual Effects — Live Action Episode or Series Season | 2023 | ILM | |
| HPA | Avatar: The Way of Water | Nominated | Outstanding Visual Effects — Live-Action Feature | 2023 | ILM | |
| Emmys | The Lord of The Rings: The Rings of Power | Nominated | Outstanding Special Visual Effects In A Season Or A Movie | 2023 | ILM | |
| Emmys | Andor | Nominated | Outstanding Special Visual Effects In A Season Or A Movie | 2023 | ILM | |
| Emmys | The Mandalorian: Season Three | Nominated | Outstanding Special Visual Effects In A Season Or A Movie | 2023 | ILM | |
| BAFTA | The Sandman | Nominated | Outstanding Special, Visual and Graphic Effects in Television | 2023 | ILM | |
| BAFTA | Andor | Nominated | Outstanding Special, Visual and Graphic Effects in Television | 2023 | ILM | |
| AMPAS|academy|oscar | Black Panther: Wakanda Forever | Nominated | Best Visual Effects | 2023 | ILM | |
| AMPAS|academy|oscar | The Batman | Nominated | Best Visual Effects | 2023 | ILM | |
| BAFTA | The Batman | Nominated | Special Visual Effects | 2023 | ILM | |
| VES|visual effects society | ABBA: VOYAGE | Won | Outstanding Visual Effects in a Special Venue Project | 2023 | ILM | |
| VES|visual effects society | The Lord of the Rings: The Rings of Power; Udûn | Won | Outstanding Visual Effects in a Photoreal Episode | 2023 | ILM | |
| VES|visual effects society | The Lord of the Rings: The Rings of Power: Adar; Númenor City | Won | Outstanding Created Environment in an Episode, Commercial, or Real-time Project | 2023 | ILM | |
| VES|visual effects society | The Lord of the Rings: The Rings of Power: Udûn; Water and Magma | Won | Outstanding Effects Simulations in an Episode, Commercial, or Real-time Project | 2023 | ILM | |
| VES|visual effects society | ABBA: VOYAGE | Nominated | Outstanding Virtual Cinematography in a CG Project | 2023 | ILM | |
| VES|visual effects society | Jurassic World Dominion | Nominated | Outstanding Special Visual Effects in a Photoreal Feature | 2023 | ILM | |
| VES|visual effects society | The Batman | Nominated | Outstanding Special Visual Effects in a Photoreal Feature | 2023 | ILM | |
| VES|visual effects society | The Fabelmans | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2023 | ILM | |
| VES|visual effects society | The Pale Blue Eye | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2023 | ILM | |
| VES|visual effects society | Guardians of the Galaxy: Cosmic Rewind | Nominated | Outstanding Visual Effects in a Special Venue Project | 2023 | ILM | |
| VES|visual effects society | Star Wars: Galactic Star Cruiser | Nominated | Outstanding Visual Effects in a Special Venue Project | 2023 | ILM | |
| VES|visual effects society | Jurassic World Dominion; Biosyn Valley | Nominated | Outstanding Created Environment in a Photoreal Feature | 2023 | ILM | |
| VES|visual effects society | Andor: Reckoning; Ferrix | Nominated | Outstanding Created Environment in an Episode, Commercial, or Real-time Project | 2023 | ILM | |
| VES|visual effects society | The Book of Boba Fett: In the Name of Honor; Mos Espa | Nominated | Outstanding Created Environment in an Episode, Commercial, or Real-time Project | 2023 | ILM | |
| VES|visual effects society | Avatar: The Way of Water; Fire and Destruction | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2023 | ILM | |
| VES|visual effects society | Black Panther: Wakanda Forever; City Street Flooding | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2023 | ILM | |
| VES|visual effects society | Avatar: The Way of Water; Landing Rockets Forest Destruction | Nominated | Outstanding Compositing & Lighting in a Feature | 2023 | ILM | |
| VES|visual effects society | The Book of Boba Fett: From the Desert Comes a Stranger; Luke Alike | Nominated | Outstanding Compositing & Lighting in a Episode | 2023 | ILM | |
| HPA | The Book of Boba Fett – Complete Season | Won | Outstanding Visual Effects – Episode or Series Season | 2022 | ILM | |
| HPA | Doctor Strange in the Multiverse of Madness | Won | Outstanding Visual Effects – Theatrical or Non-Theatrical Feature | 2022 | ILM | |
| HPA | Obi-Wan Kenobi – Complete Season | Nominated | Outstanding Visual Effects – Episode or Series Season | 2022 | ILM | |
| HPA | The Batman | Nominated | Outstanding Visual Effects – Theatrical or Non-Theatrical Feature | 2022 | ILM | |
| HPA | No Time to Die | Nominated | Outstanding Visual Effects – Theatrical or Non-Theatrical Feature | 2022 | ILM | |
| Emmys | StageCraft Virtual Production Tool Suite | Won | Engineering, Science & Technology Emmy Award | 2022 | ILM | |
| Emmys | The Book of Boba Fett | Won | Outstanding Special Visual Effects in a Season or a Movie | 2022 | ILM | |
| Emmys | The Witcher: Season Two | Nominated | Outstanding Special Visual Effects in a Season or a Movie | 2022 | ILM | |
| VES|visual effects society | The Witcher: Season Two; Nivellen the Cursed Man | Won | Outstanding Animated Character in a Episode or Real-Time Project | 2022 | ILM | |
| VES|visual effects society | Loki: Season One – Journey Into Mystery | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2022 | ILM | |
| VES|visual effects society | The Stand | Nominated | Outstanding Visual Effects in a Photoreal Episode | 2022 | ILM | |
| VES|visual effects society | Jungle Cruise | Nominated | Outstanding Animated Character in a Photoreal Feature | 2022 | ILM | |
| VES|visual effects society | Y: The Last Man; Ampersand | Nominated | Outstanding Animated Character in a Episode or Real-Time Project | 2022 | ILM | |
| VES|visual effects society | Hawkeye; Rockefeller Center | Nominated | Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | 2022 | ILM | |
| VES|visual effects society | Loki: Season One – Journey Into Mystery; Alioth Cloud | Nominated | Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | 2022 | ILM | |
| VES|visual effects society | WandaVision; Goodbye Vision | Nominated | Outstanding Compositing & Lighting in an Episode | 2022 | ILM | |
| HPA | Jungle Cruise | Nominated | Outstanding Visual Effects | 2021 | ILM | |
| HPA | Loki: Journey Into Mystery | Nominated | Outstanding Visual Effects | 2021 | ILM | |
| HPA | The Mandalorian: Chapter 9: The Marshal | Won | Outstanding Visual Effects | 2021 | ILM | |
| Emmys | The Mandalorian: Season Two | Won | Outstanding Special Visual Effects | 2021 | ILM | |
| Emmys | WandaVision | Nominated | Outstanding Special Visual Effects | 2021 | ILM | |
| Emmys | The Boys: Season Two | Nominated | Outstanding Special Visual Effects | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 9: The Marshal | Won | Outstanding Visual Effects in a Photoreal Episode | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 13: The Jedi; The Child | Won | Outstanding Animated Character in an Episode or Real-Time Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 9: The Marshal; Krayt Dragon | Nominated | Outstanding Animated Character in an Episode or Real-Time Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 15: The Believer; Morak Jungle | Won | Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 12: The Siege; Nevarro Canyon | Nominated | Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 15: The Believer | Nominated | Outstanding Virtual Cinematography in a CG Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 12: The Siege | Nominated | Outstanding Virtual Cinematography in a CG Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian Season Two; Boba Fett’s Ship | Nominated | Outstanding Model in a Photoreal or Animated Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 16: The Rescue; Light Cruiser | Nominated | Outstanding Model in a Photoreal or Animated Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 9: The Marshal; Krayt Dragon | Nominated | Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 15: The Believer | Nominated | Outstanding Compositing in an Episode | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 9: The Marshal | Nominated | Outstanding Compositing in an Episode | 2021 | ILM | |
| VES|visual effects society | The Mandalorian: Chapter 10: The Marshal | Nominated | Outstanding Compositing in an Episode | 2021 | ILM | |
| VES|visual effects society | Brave New World: New London | Nominated | Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | 2021 | ILM | |
| AMPAS Sci-Technical Awards | Technoprops Head-Mounted Camera System | Won | Technical Achievement Awards | 2021 | ILM | |
| AMPAS Sci-Technical Awards | ILM HairCraft Dynamics System | Won | Technical Achievement Awards | 2021 | ILM | |
| Emmys | The Mandalorian: Season One | Won | Outstanding Special Visual Effects | 2020 | ILM | |
| BAFTA | Avengers: Endgame | Nominated | Best Visual Effects | 2020 | ILM | |
| BAFTA | The Irishman | Nominated | Best Visual Effects | 2020 | ILM | |
| BAFTA | Star Wars: The Rise of Skywalker | Nominated | Best Visual Effects | 2020 | ILM | |
| VES|visual effects society | The Irishman | Won | Outstanding Supporting Visual Effects in a Photoreal Feature | 2020 | ILM | |
| VES|visual effects society | The Irishman | Won | Outstanding Compositing in a Feature | 2020 | ILM | |
| VES|visual effects society | The Mandalorian | Won | Outstanding Visual Effects in a Photoreal Episode | 2020 | ILM | |
| VES|visual effects society | The Mandalorian | Won | Outstanding Model in a Photoreal or Animated Project | 2020 | ILM | |
| VES|visual effects society | Star Wars: Rise of the Resistance | Won | Outstanding Visual Effects in a Special Venue Project | 2020 | ILM | |
| VES|visual effects society | Star Wars: The Rise of Skywalker | Won | Outstanding Effects Simulations in a Photoreal Feature | 2020 | ILM | |
| VES|visual effects society | Avengers: Endgame | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2020 | ILM | |
| VES|visual effects society | Vader Immortal: A Star Wars VR Series | Nominated | Outstanding Visual Effects in a Real-Time Project | 2020 | ILM | |
| VES|visual effects society | Avengers: Damage Control | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2020 | ILM | |
| VES|visual effects society | Avengers: Endgame; Smart Hulk | Nominated | Outstanding Animated Character in a Photoreal Feature | 2020 | ILM | |
| VES|visual effects society | Star Wars: The Rise of Skywalker | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2020 | ILM | |
| VES|visual effects society | Star Wars: The Rise of Skywalker | Nominated | Outstanding Compositing in a Feature | 2020 | ILM | |
| VES|visual effects society | The Mandalorian | Nominated | Outstanding Animated Character in an Episode or Real-Time Project | 2020 | ILM | |
| VES|visual effects society | The Mandalorian | Nominated | Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | 2020 | ILM | |
| VES|visual effects society | The Mandalorian | Nominated | Outstanding Virtual Cinematography in a CG Project | 2020 | ILM | |
| VES|visual effects society | The Mandalorian | Nominated | Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | 2020 | ILM | |
| VES|visual effects society | Jurassic World – The Ride | Nominated | Outstanding Visual Effects in a Special Venue Project | 2020 | ILM | |
| VES|visual effects society | Millennium Falcon: Smugglers Run | Nominated | Outstanding Visual Effects in a Special Venue Project | 2020 | ILM | |
| VES|visual effects society | Aladdin | Nominated | Outstanding Created Environment in a Photoreal Feature | 2020 | ILM | |
| VES|visual effects society | Star Wars: The Rise of Skywalker | Nominated | Outstanding Created Environment in a Photoreal Feature | 2020 | ILM | |
| AMPAS|academy|oscar | Avengers: Endgame | Nominated | Best Visual Effects | 2019 | ILM | |
| AMPAS|academy|oscar | The Irishman | Nominated | Best Visual Effects | 2019 | ILM | |
| AMPAS|academy|oscar | Star Wars: The Rise of Skywalker | Nominated | Best Visual Effects | 2019 | ILM | |
| BAFTA | Black Panther | Won | Best Visual Effects | 2019 | ILM | |
| BAFTA | Ready Player One | Nominated | Best Visual Effects | 2019 | ILM | |
| BAFTA | Avengers: Infinity War | Nominated | Best Visual Effects | 2019 | ILM | |
| VES|visual effects society | Ready Player One | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Solo: A Star Wars Story | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | 12 Strong | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Bird Box | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Jurassic World: Fallen Kingdom; Indoraptor | Nominated | Outstanding Animated Character in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Ready Player One; Art3mis | Nominated | Outstanding Animated Character in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Ant-Man and the Wasp; Journey to the Quantum Realm | Nominated | Outstanding Created Environment in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Aquaman; Atlantis | Nominated | Outstanding Created Environment in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Solo: A Star Wars Story; Vandor Planet | Nominated | Outstanding Created Environment in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Aquaman; Third Act Battle | Nominated | Outstanding Virtual Cinematography in a Photoreal Project | 2019 | ILM | |
| VES|visual effects society | Jurassic World: Fallen Kingdom; Gyrosphere Escape | Nominated | Outstanding Virtual Cinematography in a Photoreal Project | 2019 | ILM | |
| VES|visual effects society | Ready Player One; DeLorean DMC-12 | Nominated | Outstanding Model in a Photoreal or Animated Project | 2019 | ILM | |
| VES|visual effects society | Solo: A Star Wars Story; Millennium Falcon | Nominated | Outstanding Model in a Photoreal or Animated Project | 2019 | ILM | |
| VES|visual effects society | Avengers: Infinity War; Wakanda | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Jurassic World: Fallen Kingdom | Nominated | Outstanding Compositing in a Photoreal Feature | 2019 | ILM | |
| VES|visual effects society | Vader Immortal: A Star Wars VR Series | Nominated | Outstanding Innovation in Interactive Media | 2019 | ILM | |
| AMPAS|academy|oscar | Carne y Arena | Won | Special Award Oscar | 2018 | ILM | |
| AMPAS|academy|oscar | Solo: A Star Wars Story | Nominated | Best Visual Effects | 2018 | ILM | |
| AMPAS|academy|oscar | Avengers: Infinity War | Nominated | Best Visual Effects | 2018 | ILM | |
| AMPAS|academy|oscar | Ready Player One | Nominated | Best Visual Effects | 2018 | ILM | |
| BAFTA | Star Wars: the Last Jedi | Nominated | Best Visual Effects | 2018 | ILM | |
| VES|visual effects society | Ready Player One; The Shining, Overlook Hotel | Won | Outstanding Created Environment in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Ready Player One; New York Race | Won | Outstanding Virtual Cinematography in a Photoreal Project | 2018 | ILM | |
| VES|visual effects society | Star Wars: Secrets of the Empire | Nominated | Outstanding Visual Effects in a Special Venue Project | 2018 | ILM | |
| VES|visual effects society | Star Wars: The Last Jedi | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Star Wars: The Last Jedi; Crait Surface Battle | Nominated | Outstanding Virtual Cinematography in a Photoreal Project | 2018 | ILM | |
| VES|visual effects society | Star Wars: The Last Jedi; Bombing Run | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Star Wars: The Last Jedi; Mega Destroyer Destruction | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Downsizing | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Mother! | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Only the Brave | Nominated | Outstanding Supporting Visual Effects in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Only the Brave; Fire & Smoke | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Kong Skull Island | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Kong: Skull Island; Kong | Nominated | Outstanding Animated Character in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Kong Skull Island | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2018 | ILM | |
| VES|visual effects society | Kong: Skull Island | Nominated | Outstanding Compositing in a Photoreal Feature | 2018 | ILM | |
| AMPAS|academy|oscar | Star Wars: The Last Jedi | Nominated | Best Visual Effects | 2017 | ILM | |
| AMPAS|academy|oscar | Kong: Skull Island | Nominated | Best Visual Effects | 2017 | ILM | |
| BAFTA | Rogue One: A Star Wars Story | Nominated | Best Visual Effects | 2017 | ILM | |
| BAFTA | Doctor Strange | Nominated | Best Visual Effects | 2017 | ILM | |
| VES|visual effects society | Rogue One: A Star Wars Story | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2017 | ILM | |
| VES|visual effects society | Doctor Strange | Nominated | Outstanding Visual Effects in a Photoreal Feature | 2017 | ILM | |
| VES|visual effects society | Doctor Strange; London | Nominated | Outstanding Created Environment in a Photoreal Feature | 2017 | ILM | |
| VES|visual effects society | Doctor Strange; New York City | Nominated | Outstanding Created Environment in a Photoreal Feature | 2017 | ILM | |
| VES|visual effects society | Doctor Strange; New York Mirror Dimension | Nominated | Outstanding Virtual Cinematography in a Photoreal Project | 2017 | ILM | |
| VES|visual effects society | Doctor Strange; Hong Kong Reverse Destruction | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2017 | ILM | |
| VES|visual effects society | Doctor Strange; New York City | Nominated | Outstanding Compositing in a Photoreal Feature | 2017 | ILM | |
| AMPAS Sci-Technical Awards | BlockParty Procedural Rigging System | Won | Technical Achievement Awards | 2017 | ILM | |
| AMPAS|academy|oscar | Rogue One: A Star Wars Story | Nominated | Best Visual Effects | 2016 | ILM | |
| AMPAS|academy|oscar | Deepwater Horizon | Nominated | Best Visual Effects | 2016 | ILM | |
| AMPAS|academy|oscar | Doctor Strange | Nominated | Best Visual Effects | 2016 | ILM | |
| BAFTA | Star Wars: Episode VII “The Force Awakens” | Won | Best Visual Effects | 2016 | ILM | |
| BAFTA | Ant-Man | Nominated | Best Visual Effects | 2016 | ILM | |
| VES|visual effects society | Star Wars: Episode VII “The Force Awakens” | Won | Outstanding Visual Effects in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | The Revenant | Won | Outstanding Supporting Visual Effects in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Star Wars: Episode VII “The Force Awakens” – Falcon Chase / Graveyard | Won | Outstanding Created Environment in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | The Revenant – The Bear | Won | Outstanding Animated Performance in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Star Wars: Episode VII “The Force Awakens” – Falcon Chase / Graveyard | Won | Outstanding Virtual Cinematography in a Photoreal Project | 2016 | ILM | |
| VES|visual effects society | The Revenant – Bear Attack | Won | Outstanding Compositing in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Star Wars: Episode VII “The Force Awakens” – BB-8 | Won | Outstanding Models in a Photoreal or Animated Project | 2016 | ILM | |
| VES|visual effects society | Ant-Man; The Microverse | Nominated | Outstanding Created Environment in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Tomorrowland; Tomorrowland Center | Nominated | Outstanding Created Environment in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Star Wars: The Force Awakens; Maz | Nominated | Outstanding Animated Performance in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Avengers: Age of Ultron; Hulk | Nominated | Outstanding Animated Performance in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Star Wars: The Force Awakens | Nominated | Outstanding Compositing in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Tomorrowland | Nominated | Outstanding Compositing in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Avengers: Age of Ultron; Hulkbuster | Nominated | Outstanding Models in a Photoreal or Animated Project | 2016 | ILM | |
| VES|visual effects society | Jurassic World; Indominus Rex | Nominated | Outstanding Models in a Photoreal or Animated Project | 2016 | ILM | |
| VES|visual effects society | Avengers: Age of Ultron; Hulk vs Hulkbuster | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2016 | ILM | |
| VES|visual effects society | Star Wars: The Force Awakens; Starkiller Base | Nominated | Outstanding Effects Simulations in a Photoreal Feature | 2016 | ILM | |
| AMPAS Sci-Technical Awards | ILM Facial Performance-Capture System | Won | Technical Achievement Awards | 2016 | ILM | |
| AMPAS|academy|oscar | The Revenant | Nominated | Best Visual Effects | 2015 | ILM | |
| AMPAS|academy|oscar | Star Wars: The Force Awakens | Nominated | Best Visual Effects | 2015 | ILM | |
| VES|visual effects society | Unbroken | Nominated | Outstanding Supporting Visual Effects in a Photoreal/Live Action Feature Motion Picture | 2015 | ILM | |
| VES|visual effects society | Captain America: The Winter Soldier; Triskelion Headquarters | Nominated | Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture | 2015 | ILM | |
| VES|visual effects society | Lucy; Times Square | Nominated | Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture | 2015 | ILM | |
| VES|visual effects society | Noah; Antediluvian Earth | Nominated | Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture | 2015 | ILM | |
| VES|visual effects society | Transformers: Age of Extinction; Knightship | Nominated | Outstanding Models in any Motion Media Project | 2015 | ILM | |
| VES|visual effects society | Captain America: The Winter Soldier; Helicarrier Broadside and Crash | Nominated | Outstanding Effects Simulations in a Photoreal/Live Action Feature Motion Picture | 2015 | ILM | |
| AMPAS Sci-Technical Awards | ILM Geometry Tracker | Won | Technical Achievement Awards | 2015 | ILM | |
| AMPAS|academy|oscar | Captain America: The Winter Soldier | Nominated | Best Visual Effects | 2014 | ILM | |
| BAFTA | Star Trek: Into Darkness | Nominated | Best Visual Effects | 2014 | ILM | |
| BAFTA | Pacific Rim | Nominated | Best Visual Effects | 2014 | ILM | |
| VES|visual effects society | The Lone Ranger | Won | Outstanding Supporting Visual Effects in a Feature Motion Picture | 2014 | ILM | |
| VES|visual effects society | Pacific Rim | Nominated | Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture | 2014 | ILM | |
| VES|visual effects society | Star Trek: Into Darkness | Nominated | Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture | 2014 | ILM | |
| VES|visual effects society | Pacific Rim: Kaiju – Leatherback | Nominated | Outstanding
Animated
Character
in
a
Live
Action
Feature
Motion
Picture |
2014 | ILM | |
| VES|visual effects society | Pacific Rim: Virtual Hong Kong | Nominated | Outstanding
Created
Environment
in
a
Live
Action
Feature
Motion
Picture |
2014 | ILM | |
| VES|visual effects society | Pacific Rim: Hong Kong Ocean Brawl | Nominated | Outstanding
Virtual
Cinematography
in
a
Live
Action
Feature
Motion
Picture |
2014 | ILM | |
| VES|visual effects society | Pacific Rim | Nominated | Outstanding Models in a Feature Motion Picture | 2014 | ILM | |
| VES|visual effects society | Star Trek: Into Darkness | Nominated | Outstanding Models in a Feature Motion Picture | 2014 | ILM | |
| VES|visual effects society | The Lone Ranger: Colby Locomotive | Nominated | Outstanding Models in a Feature Motion Picture | 2014 | ILM | |
| VES|visual effects society | Pacific Rim: Fluid Simulation & Destruction | Nominated | Outstanding FX and Simulation Animation in a Live Action Feature Motion Picture | 2014 | ILM | |
| AMPAS Sci-Technical Awards | ILM Shape Sculpting System | Won | Technical Achievement Awards | 2014 | ILM | |
| AMPAS Sci-Technical Awards | ILM PhysBAM Destruction System | Won | Technical Achievement Awards | 2014 | ILM | |
| AMPAS Sci-Technical Awards | ILM Plume System | Won | Technical Achievement Awards | 2014 | ILM | |
| AMPAS Sci-Technical Awards | Zeno Application Framework | Won | Technical Achievement Awards | 2014 | ILM | |
| AMPAS Sci-Technical Awards | ObaQ Render Queue Management System | Won | Technical Achievement Awards | 2014 | ILM | |
| AMPAS|academy|oscar | The Lone Ranger | Nominated | Best Visual Effects | 2013 | ILM | |
| AMPAS|academy|oscar | Star Trek: Into Darkness | Nominated | Best Visual Effects | 2013 | ILM | |
| VES|visual effects society | The Avengers – Midtown Manhattan | Won | Outstanding Created Environment in a Live Action Feature Motion Picture | 2013 | ILM | |
| VES|visual effects society | The Avengers – Helicarrier | Won | Outstanding Models in a Feature Motion Picture | 2013 | ILM | |
| VES|visual effects society | The Avengers | Nominated | Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture | 2013 | ILM | |
| VES|visual effects society | Battleship | Nominated | Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture | 2013 | ILM | |
| VES|visual effects society | The Avengers: The Hulk | Nominated | Outstanding Animated Character in a Live Action Feature Motion Picture | 2013 | ILM | |
| VES|visual effects society | The Avengers: Downtown Manhattan | Nominated | Outstanding Virtual Cinematography in a Live Action Feature Motion Picture | 2013 | ILM | |
| VES|visual effects society | Battleship | Nominated | Outstanding FX and Simulation Animation in a Live Action Feature Motion Picture | 2013 | ILM | |
| VES|visual effects society | The Avengers: Hulk Punch | Nominated | Outstanding Compositing in a Feature Motion Picture | 2013 | ILM | |
| AMPAS|academy|oscar | Marvel’s The Avengers | Nominated | Best Visual Effects | 2012 | ILM | |
| VES|visual effects society | Rango | Won | Outstanding Visual Effects in an Animated Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Transformers the Ride: The Ultimate 3D Battle | Won | Outstanding Visual Effects in a Special Venue Project | 2012 | ILM | |
| VES|visual effects society | Rango – Rango | Won | Outstanding Animated Character in an Animated Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Transformers: Dark of the Moon – 155 Wacker Drive | Won | Outstanding Created Environment in a Live Action Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Rango – Main Street Dirt | Won | Outstanding Created Environment in an Animated Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Rango – The Dirt Saloon | Won | Outstanding Virtual Cinematography in an Animated Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Transformers: Dark of the Moon – Driller | Won | Outstanding Models in a Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: On Stranger Tides | Nominated | Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Transformers: Dark of the Moon | Nominated | Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Star Tours: The Adventure Continues | Nominated | Outstanding Visual Effects in a Special Venue Project | 2012 | ILM | |
| VES|visual effects society | Transformers: Dark of the Moon | Nominated | Outstanding Virtual Cinematography in a Live Action Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Mission: Impossible Ghost Protocol – Parking Garage | Nominated | Outstanding Models in a Feature Motion Picture | 2012 | ILM | |
| VES|visual effects society | Transformers: Dark of the Moon | Nominated | Outstanding Compositing in a Feature Motion Picture | 2012 | ILM | |
| AMPAS|academy|oscar | Transformers: Dark of the Moon | Nominated | Best Visual Effects | 2011 | ILM | |
| BAFTA | Rango | Nominated | Best Animated Film | 2011 | ILM | |
| VES|visual effects society | Iron Man 2 | Nominated | Outstanding Visual Effects in a Visual-Effects Driven Feature Motion Picture | 2011 | ILM | |
| VES|visual effects society | Iron Man 2 – Stark Expo | Nominated | Outstanding Created Environment in a Live Action Feature Motion Picture | 2011 | ILM | |
| VES|visual effects society | Iron Man 2 | Nominated | Outstanding Models & Miniatures in a Feature Motion Picture | 2011 | ILM | |
| AMPAS|academy|oscar | Iron Man 2 | Nominated | Best Visual Effects | 2010 | ILM | |
| VES|visual effects society | Star Trek | Nominated | Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture |
2010 | ILM | |
| VES|visual effects society | Transformers: Revenge of the Fallen | Nominated | Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture |
2010 | ILM | |
| VES|visual effects society | Avatar – Quarich’s Escape | Nominated | Best Single Visual Effect of the Year | 2010 | ILM | |
| VES|visual effects society | Terminator Salvation – VLA Escape | Nominated | Best Single Visual Effect of the Year | 2010 | ILM | |
| VES|visual effects society | Harry Potter and the Half-Blood Prince | Nominated | Outstanding Matte Paintings in a Feature Motion Picture | 2010 | ILM | |
| VES|visual effects society | Star Trek | Nominated | Outstanding Matte Paintings in a Feature Motion Picture | 2010 | ILM | |
| VES|visual effects society | Avatar – End Battle | Nominated | Outstanding Compositing in a Feature Motion Picture | 2010 | ILM | |
| AMPAS Sci-Technical Awards | Imocap On-Set Performance Capture System | Won | Technical Achievement Awards | 2010 | ILM | |
| AMPAS Sci-Technical Awards | Advancement of Ambient Occlusion Rendering | Won | Technical Achievement Awards | 2010 | ILM | |
| AMPAS Sci-Technical Awards | Point-based rendering for indirect illumination and ambient occlusion | Won | Technical Achievement Awards | 2010 | ILM | |
| AMPAS|academy|oscar | Star Trek | Nominated | Best Visual Effects | 2009 | ILM | |
| BAFTA | Harry Potter and the Half-Blood Prince | Nominated | Best Visual Effects | 2009 | ILM | |
| BAFTA | Star Trek | Nominated | Best Visual Effects | 2009 | ILM | |
| VES|visual effects society | Ironman | Nominated | Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture | 2009 | ILM | |
| VES|visual effects society | Indiana Jones and The Kingdom of the Crystal Skull – Valley Destruction | Nominated | Best Single Visual Effect of the Year | 2009 | ILM | |
| VES|visual effects society | Ironman | Nominated | Best Single Visual Effect of the Year | 2009 | ILM | |
| VES|visual effects society | Ironman | Nominated | Outstanding Animated Character in a Live Action Feature Motion Picture | 2009 | ILM | |
| VES|visual effects society | Indiana Jones and The Kingdom of the Crystal Skull | Nominated | Outstanding Matte Paintings in a Feature Motion Picture | 2009 | ILM | |
| VES|visual effects society | Iron Man – Suit Up Machine | Nominated | Outstanding Models and Miniatures in a Feature Motion Picture | 2009 | ILM | |
| VES|visual effects society | Indiana Jones and The Kingdom of the Crystal Skull | Nominated | Outstanding Models and Miniatures in a Feature Motion Picture | 2009 | ILM | |
| VES|visual effects society | Indiana Jones and The Kingdom of the Crystal Skull – Temple Heart | Nominated | Outstanding Created Environment in a Feature Motion Picture | 2009 | ILM | |
| AMPAS|academy|oscar | Iron Man | Nominated | Best Visual Effects | 2008 | ILM | |
| BAFTA | Iron Man | Nominated | Best Visual Effects | 2008 | ILM | |
| BAFTA | Indiana Jones and the Kingdom of the Crystal Skull | Nominated | Best Visual Effects | 2008 | ILM | |
| VES|visual effects society | Transformers | Won | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2008 | ILM | |
| VES|visual effects society | Transformers – Desert Highway Sequence | Won | Best Single Visual Effect of the Year | 2008 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: At World’s End – Davy Jones | Won | Outstanding Animated Character in a Live Action Motion Picture | 2008 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: At World’s End – The Maelstrom | Won | Outstanding Created Environment in a Live Action Motion Picture | 2008 | ILM | |
| VES|visual effects society | Transformers | Won | Outstanding Models or Miniatures in a Motion Picture | 2008 | ILM | |
| VES|visual effects society | Transformers | Won | Outstanding Compositing in a Motion Picture | 2008 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: At World’s End | Nominated | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2008 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: At World’s End – Jack and Davy Duel | Nominated | Best Single Visual Effect of the Year | 2008 | ILM | |
| VES|visual effects society | Transformers – Optimus Prime | Nominated | Outstanding Animated Character in a Live Action Motion Picture | 2008 | ILM | |
| VES|visual effects society | Rush Hour 3 | Nominated | Outstanding Created Environment in a Live Action Motion Picture | 2008 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: At World’s End – Practical and Digital Ships | Nominated | Outstanding Models or Miniatures in a Motion Picture | 2008 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: At World’s End | Nominated | Outstanding Compositing in a Motion Picture | 2008 | ILM | |
| AMPAS|academy|oscar | Transformers | Nominated | Best Visual Effects | 2007 | ILM | |
| AMPAS|academy|oscar | Pirates of the Caribbean: At World’s End | Nominated | Best Visual Effects | 2007 | ILM | |
| BAFTA | Pirates of the Caribbean: Dead Man’s Chest | Won | Best Visual Effects | 2007 | ILM | |
| BAFTA | Pirates of the Caribbean: At World’s End | Nominated | Best Visual Effects | 2007 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: Dead Man’s Chest | Won | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2007 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: Dead Man’s Chest – Flying Dutchman Sequence | Won | Best Single Visual Effect of the Year | 2007 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: Dead Man’s Chest – Davy Jones | Won | Outstanding Performance by an Animated Character in a Live Action Motion Picture | 2007 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: Dead Man’s Chest | Won | Outstanding Created Environment in a Live Action Motion Picture | 2007 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: Dead Man’s Chest | Won | Outstanding Models and Miniatures in a Motion Picture | 2007 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: Dead Man’s Chest | Won | Outstanding Compositing in a Motion Picture | 2007 | ILM | |
| VES|visual effects society | Poseidon – Opening Sequence | Nominated | Best Single Visual Effect of the Year | 2007 | ILM | |
| VES|visual effects society | Mission: Impossible III | Nominated | Outstanding Created Environment in a Live Action Motion Picture | 2007 | ILM | |
| VES|visual effects society | Poseidon | Nominated | Outstanding Created Environment in a Live Action Motion Picture | 2007 | ILM | |
| VES|visual effects society | Poseidon | Nominated | Outstanding Compositing in a Motion Picture | 2007 | ILM | |
| AMPAS Sci-Technical Awards | ILM Fluid Simulation System | Won | Technical Achievement Awards | 2007 | ILM | |
| AMPAS Sci-Technical Awards | ILM Image-Based Modeling System | Won | Technical Achievement Awards | 2007 | ILM | |
| AMPAS|academy|oscar | Pirates of the Caribbean: Dead Man’s Chest | Won | Best Visual Effects | 2006 | ILM | |
| AMPAS|academy|oscar | Poseidon | Nominated | Best Visual Effects | 2006 | ILM | |
| VES|visual effects society | War of the Worlds – Fleeing the Neighborhood | Won | Best Single Visual Effect of the Year | 2006 | ILM | |
| VES|visual effects society | War of the Worlds | Won | Outstanding Models and Miniatures in a Motion Picture | 2006 | ILM | |
| VES|visual effects society | War of the Worlds | Won | Outstanding Compositing in a Motion Picture | 2006 | ILM | |
| VES|visual effects society | The Chronicles of Narnia: The Lion, The Witch, & The Wardrobe | Nominated | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2006 | ILM | |
| VES|visual effects society | Harry Potter and the Goblet of Fire | Nominated | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2006 | ILM | |
| VES|visual effects society | Star Wars: Episode III ” Revenge of the Sith” | Nominated | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2006 | ILM | |
| VES|visual effects society | Jarhead | Nominated | Outstanding Supporting Visual Effects in a Motion Picture | 2006 | ILM | |
| VES|visual effects society | Star Wars: Episode III “Revenge of the Sith” – Opening Space Battle | Nominated | Best Single Visual Effect of the Year | 2006 | ILM | |
| VES|visual effects society | The Chronicles of Narnia: The Lion, The Witch, & The Wardrobe | Nominated | Outstanding Animated Character in a Live Action Motion Picture | 2006 | ILM | |
| VES|visual effects society | Harry Potter and the Goblet of Fire-Dragon | Nominated | Outstanding Animated Character in a Live Action Motion Picture | 2006 | ILM | |
| VES|visual effects society | Star Wars: Episode III ” Revenge of the Sith” | Nominated | Outstanding Created Environment in a Live Action Motion Picture | 2006 | ILM | |
| VES|visual effects society | Star Wars: Episode III ” Revenge of the Sith” | Nominated | Outstanding Models and Miniatures in a Motion Picture | 2006 | ILM | |
| AMPAS Sci-Technical Awards | OpenEXR | Won | Technical Achievement Awards | 2006 | ILM | |
| AMPAS|academy|oscar | War of the Worlds | Nominated | Best Visual Effects | 2005 | ILM | |
| AMPAS|academy|oscar | The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe | Nominated | Best Visual Effects | 2005 | ILM | |
| BAFTA | The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe | Nominated | Best Visual Effects | 2005 | ILM | |
| VES|visual effects society | The Day After Tomorrow – Tidal Wave | Won | Best Single Visual Effect of the Year | 2005 | ILM | |
| VES|visual effects society | Harry Potter and the Prisoner of Azkaban – Hippogriff | Won | Outstanding Performance by an Animated Character in a Live Action Motion Picture | 2005 | ILM | |
| VES|visual effects society | Harry Potter and the Prisoner of Azkaban | Nominated | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2005 | ILM | |
| VES|visual effects society | The Day After Tomorrow | Nominated | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2005 | ILM | |
| VES|visual effects society | Harry Potter and the Prisoner of Azkaban – Dementor Train | Nominated | Best Single Visual Effect of the Year | 2005 | ILM | |
| VES|visual effects society | Lemony Snicket’s A Series of Unfortunate Events – Sunny character | Nominated | Outstanding Performance by an Animated Character in a Live Action Motion Picture | 2005 | ILM | |
| VES|visual effects society | Harry Potter and the Prisoner of Azkaban – Azkaban Guards Attack | Nominated | Outstanding Compositing in a Motion Picture | 2005 | ILM | |
| AMPAS|academy|oscar | Master and Commander: The Far Side of the World | Nominated | Best Visual Effects | 2004 | ILM | |
| AMPAS|academy|oscar | Harry Potter and the Prisoner of Azkaban | Nominated | Best Visual Effects | 2004 | ILM | |
| BAFTA | Master and Commander | Nominated | Best Visual Effects | 2004 | ILM | |
| BAFTA | Harry Potter and the Prisoner of Azkaban | Nominated | Best Visual Effects | 2004 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: The Curse of the Black Pearl | Won | Outstanding Matte Painting in a Motion Picture | 2004 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: The Curse of the Black Pearl | Nominated | Outstanding Visual Effects in a Visual Effects Driven Motion Picture | 2004 | ILM | |
| VES|visual effects society | Master and Commander: The Far Side of the World | Nominated | Outstanding Supporting Visual Effects in a Motion Picture | 2004 | ILM | |
| VES|visual effects society | The Hulk | Nominated | Best Single Visual Effect of the Year in any Medium | 2004 | ILM | |
| VES|visual effects society | The Hulk | Nominated | Outstanding Character Animation in a Live Action Motion Picture | 2004 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: The Curse of the Black Pearl | Nominated | Outstanding Character Animation in a Live Action Motion Picture | 2004 | ILM | |
| VES|visual effects society | The Hulk | Nominated | Outstanding Matte Painting in a Motion Picture | 2004 | ILM | |
| VES|visual effects society | Peter Pan | Nominated | Outstanding Matte Painting in a Motion Picture | 2004 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: The Curse of the Black Pearl – Captain Barbossa | Nominated | Outstanding Models and Miniatures in a Motion Picture | 2004 | ILM | |
| VES|visual effects society | Pirates of the Caribbean: The Curse of the Black Pearl | Nominated | Outstanding Visual Effects Photography in a Motion Picture | 2004 | ILM | |
| VES|visual effects society | Terminator 3: Rise of the Machines | Nominated | Outstanding Visual Effects Photography in a Motion Picture | 2004 | ILM | |
| AMPAS|academy|oscar | Pirates of the Caribbean: The Curse of the Black Pearl | Nominated | Best Visual Effects | 2003 | ILM | |
| BAFTA | Pirates of the Caribbean: The Curse of the Black Pearl | Nominated | Best Visual Effects | 2003 | ILM | |
| VES|visual effects society | Star Wars: Episode II “Attack of the Clones” | Won | Best Matte Painting in a Motion Picture | 2003 | ILM | |
| VES|visual effects society | Men In Black II | Nominated | Best Visual Effects in an Effects Driven Motion Picture | 2003 | ILM | |
| VES|visual effects society | Star Wars: Episode II “Attack of the Clones” | Nominated | Best Visual Effects in an Effects Driven Motion Picture | 2003 | ILM | |
| VES|visual effects society | Gangs of New York | Nominated | Best Supporting Visual Effects in a Motion Pictures | 2003 | ILM | |
| VES|visual effects society | Star Wars: Episode II “Attack of the Clones” | Nominated | Best Character Animation in a Live Action Motion Picture | 2003 | ILM | |
| VES|visual effects society | Harry Potter and the Chamber of Secrets – Dobby’s Face | Nominated | Best Character Animation in a Live Action Motion Picture | 2003 | ILM | |
| VES|visual effects society | Gangs of New York | Nominated | Best Matte Painting in a Motion Picture | 2003 | ILM | |
| VES|visual effects society | Star Wars: Episode II “Attack of the Clones” | Nominated | Best Models and Miniatures in a Motion Picture | 2003 | ILM | |
| VES|visual effects society | Star Wars: Episode II “Attack of the Clones” | Nominated | Best Visual Effects Photography in a Motion Picture | 2003 | ILM | |
| VES|visual effects society | Minority Report | Nominated | Best Effects Art Direction in a Motion Picture | 2003 | ILM | |
| VES|visual effects society | Star Wars: Episode II “Attack of the Clones” | Nominated | Best Effects Art Direction in a Motion Picture | 2003 | ILM | |
| VES|visual effects society | Minority Report | Nominated | Best Compositing in a Motion Picture | 2003 | ILM | |
| VES|visual effects society | Harry Potter and the Chamber of Secrets – Quidditch Match | Nominated | Best Compositing in a Motion Picture | 2003 | ILM | |
| AMPAS Sci-Technical Awards | Practical methods for rendering skin and other translucent materials using subsurface scattering techniques | Won | Technical Achievement Awards | 2003 | ILM | |
| AMPAS|academy|oscar | Star Wars: Episode II “Attack of the Clones” | Nominated | Best Visual Effects | 2002 | ILM | |
| BAFTA | Minority Report | Nominated | Best Visual Effects | 2002 | ILM | |
| BAFTA | Harry Potter and the Chamber of Secrets | Nominated | Best Visual Effects | 2002 | ILM | |
| BAFTA | Gangs of New York | Nominated | Best Visual Effects | 2002 | ILM | |
| AMPAS Sci-Technical Awards | ILM Motion and Structure Recovery System (MARS) | Won | Technical Achievement Awards | 2002 | ILM | |
| AMPAS Sci-Technical Awards | ILM Creature Dynamics System | Won | Technical Achievement Awards | 2002 | ILM | |
| AMPAS|academy|oscar | A.I. Artificial Intelligence | Nominated | Best Visual Effects | 2001 | ILM | |
| AMPAS|academy|oscar | Pearl Harbor | Nominated | Best Visual Effects | 2001 | ILM | |
| BAFTA | A.I. Artificial Intelligence | Nominated | Best Visual Effects | 2001 | ILM | |
| AMPAS Sci-Technical Awards | ILM Creature Dynamics System | Won | Technical Achievement Awards | 2001 | ILM | |
| AMPAS|academy|oscar | The Perfect Storm | Nominated | Best Visual Effects | 2000 | ILM | |
| BAFTA | The Perfect Storm | Won | Best Visual Effects | 2000 | ILM | |
| AMPAS|academy|oscar | Star Wars: Episode I “The Phantom Menace” | Nominated | Best Visual Effects | 1999 | ILM | |
| BAFTA | The Mummy | Nominated | Best Visual Effects | 1999 | ILM | |
| BAFTA | Star Wars: Episode 1 “The Phantom Menace” | Nominated | Best Visual Effects | 1999 | ILM | |
| BAFTA | Sleepy Hollow | Nominated | Best Visual Effects | 1999 | ILM | |
| AMPAS|academy|oscar | Mighty Joe Young | Nominated | Best Visual Effects | 1998 | ILM | |
| BAFTA | Saving Private Ryan | Won | Best Visual Effects | 1998 | ILM | |
| AMPAS Sci-Technical Awards | Motion-Controlled, Silent Camera Dollies | Won | Technical Achievement Awards | 1998 | ILM | |
| AMPAS Sci-Technical Awards | “Caricature” Animation System | Won | Technical Achievement Awards | 1998 | ILM | |
| AMPAS|academy|oscar | The Lost World: Jurassic Park | Nominated | Best Visual Effects | 1997 | ILM | |
| BAFTA | Men in Black | Won | Best Visual Effects | 1997 | ILM | |
| AMPAS|academy|oscar | Dragonheart | Nominated | Best Visual Effects | 1996 | ILM | |
| AMPAS|academy|oscar | Twister | Nominated | Best Visual Effects | 1996 | ILM | |
| BAFTA | Twister | Won | Best Visual Effects | 1996 | ILM | |
| AMPAS Sci-Technical Awards | Dynamation Software Particle System | Won | Technical Achievement Awards | 1996 | ILM | |
| AMPAS Sci-Technical Awards | Viewpaint 3D Paint System | Won | Technical Achievement Awards | 1996 | ILM | |
| AMPAS Sci-Technical Awards | Direct Input Device (D.I.D) | Won | Technical Achievement Awards | 1996 | ILM | |
| AMPAS Sci-Technical Awards | System to create and control CG fur and hair | Won | Technical Achievement Awards | 1996 | ILM | |
| AMPAS Sci-Technical Awards | Digital Film Compositing System | Won | Technical Achievement Awards | 1995 | ILM | |
| AMPAS|academy|oscar | Forrest Gump | Won | Best Visual Effects | 1994 | ILM | |
| AMPAS|academy|oscar | The Mask | Nominated | Best Visual Effects | 1994 | ILM | |
| BAFTA | Forrest Gump | Won | Best Visual Effects | 1994 | ILM | |
| BAFTA | The Mask | Nominated | Best Visual Effects | 1994 | ILM | |
| AMPAS Sci-Technical Awards | Linear Array CCD Film Input Scanning System | Won | Technical Achievement Awards | 1994 | ILM | |
| AMPAS Sci-Technical Awards | Field of Film Input Scanning | Won | Technical Achievement Awards | 1994 | ILM | |
| AMPAS|academy|oscar | Jurassic Park | Won | Best Visual Effects | 1993 | ILM | |
| BAFTA | Jurassic Park | Won | Best Visual Effects | 1993 | ILM | |
| AMPAS Sci-Technical Awards | Digital Motion Picture Retouching System | Won | Technical Achievement Awards | 1993 | ILM | |
| AMPAS|academy|oscar | Death Becomes Her | Won | Best Visual Effects | 1992 | ILM | |
| BAFTA | Death Becomes Her | Won | Best Visual Effects | 1992 | ILM | |
| AMPAS Sci-Technical Awards | “MORF” System | Won | Technical Achievement Awards | 1992 | ILM | |
| AMPAS|academy|oscar | Terminator 2: Judgment Day | Won | Best Visual Effects | 1991 | ILM | |
| AMPAS|academy|oscar | Backdraft | Nominated | Best Visual Effects | 1991 | ILM | |
| AMPAS|academy|oscar | Hook | Nominated | Best Visual Effects | 1991 | ILM | |
| BAFTA | Terminator 2: Judgment Day | Won | Best Visual Effects | 1991 | ILM | |
| AMPAS|academy|oscar | The Abyss | Won | Best Visual Effects | 1989 | ILM | |
| AMPAS|academy|oscar | Back to the Future, Part II | Nominated | Best Visual Effects | 1989 | ILM | |
| BAFTA | Back to the Future, Part II | Won | Best Visual Effects | 1989 | ILM | |
| AMPAS|academy|oscar | Who Framed Roger Rabbit? | Won | Best Visual Effects | 1988 | ILM | |
| AMPAS|academy|oscar | Willow | Nominated | Best Visual Effects | 1988 | ILM | |
| BAFTA | Who Framed Roger Rabbit? | Won | Best Visual Effects | 1988 | ILM | |
| AMPAS|academy|oscar | Innerspace | Won | Best Visual Effects | 1987 | ILM | |
| AMPAS Sci-Technical Awards | Wire Rig Model Support Mechanism | Won | Technical Achievement Awards | 1987 | ILM | |
| BAFTA | The Witches of Eastwick | Won | Best Visual Effects | 1987 | ILM | |
| AMPAS|academy|oscar | Cocoon | Won | Best Visual Effects | 1985 | ILM | |
| AMPAS|academy|oscar | Young Sherlock Holmes | Nominated | Best Visual Effects | 1985 | ILM | |
| BAFTA | Back to the Future | Nominated | Best Visual Effects | 1985 | ILM | |
| AMPAS|academy|oscar | Indiana Jones and the Temple of Doom | Won | Best Visual Effects | 1984 | ILM | |
| BAFTA | Indiana Jones & the Temple of Doom | Won | Best Visual Effects | 1984 | ILM | |
| AMPAS|academy|oscar | Return of the Jedi | Won | Best Visual Effects | 1983 | ILM | |
| BAFTA | Return of the Jedi | Won | Best Visual Effects | 1983 | ILM | |
| AMPAS|academy|oscar | E.T.: The Extra-Terrestrial | Won | Best Visual Effects | 1982 | ILM | |
| AMPAS|academy|oscar | Poltergeist | Nominated | Best Visual Effects | 1982 | ILM | |
| BAFTA | Poltergeist | Won | Best Visual Effects | 1982 | ILM | |
| AMPAS|academy|oscar | Raiders of the Lost Ark | Won | Best Visual Effects | 1981 | ILM | |
| AMPAS|academy|oscar | Dragonslayer | Nominated | Best Visual Effects | 1981 | ILM | |
| AMPAS Sci-Technical Awards | Motion Picture Figure Movier | Won | Technical Achievement Awards | 1981 | ILM | |
| AMPAS Sci-Technical Awards | Empire Motion Picture Camera System | Won | Technical Achievement Awards | 1981 | ILM | |
| AMPAS Sci-Technical Awards | Beam-Splitter Optical Composite Motion Picture Printer | Won | Technical Achievement Awards | 1981 | ILM | |
| AMPAS|academy|oscar | Star Wars: Episode VI “The Empire Strikes Back” | Won | Special Achievement in Visual Effects | 1980 | ILM | |
| AMPAS Sci-Technical Awards | Facility oriented toward VFX photography | Won | Technical Achievement Awards | 1977 | ILM | |
| AMPAS Sci-Technical Awards | Electronic Motion Control System | Won | Technical Achievement Awards | 1977 | ILM | |
| AMPAS|academy|oscar | Star Wars: Episode IV “A New Hope” | Won | Best Visual Effects | 1977 | ILM |